Tabula Rasa

Clea­ning up Your Men­tal Frame­works to Impro­ve Decis­i­on-Making

Damásio’s Theo­ry of Soma­tic Mar­kers (Part III)

In the first part of this series, we explo­red the emo­tio­nal aspects of decis­i­on-making and intro­du­ced Damásio’s hypo­the­sis of soma­tic mar­kers. The­se mar­kers, for­med through asso­cia­ti­ve lear­ning, help us navi­ga­te decis­i­ons by lin­king past expe­ri­en­ces to emo­tio­nal and phy­sio­lo­gi­cal respon­ses. Think of the­se as “sen­so­ry images”, or men­tal frame­works that orga­ni­ze emo­ti­ons, per­cep­ti­ons, thoughts, and phy­si­cal sen­sa­ti­ons into a kind of inter­nal fil­ing sys­tem. Ima­gi­ne your brain cate­go­ri­zing events into “index cards” and sto­ring them in men­tal “dra­wers” under spe­ci­fic labels. For exam­p­le, if you’ve had a nega­ti­ve expe­ri­ence giving a public speech, your sen­so­ry images might include a crow­ded room, stuffy air, your voice crack­ing, laugh­ter from the audi­ence, and a racing heart­beat. The­se ele­ments might get stored under the label: “Public spea­king is dan­ge­rous.” It doesn’t mat­ter if this descri­bes rea­li­ty; your brain, your emo­ti­ons and phy­sio­lo­gi­cal sen­sa­ti­ons crea­ted this sche­me, and you accept­ed it as real. When faced with a simi­lar situa­ti­on, your brain retrie­ves this label and the stored infor­ma­ti­on, trig­ge­ring fear and phy­sio­lo­gi­cal respon­ses like a rapid heart­beat. The­se phy­sio­lo­gi­cal and emo­tio­nal reac­tions ser­ve as soma­tic mar­kers remin­ding you of the “dan­ger” you might expe­ri­ence. While this mecha­nism is desi­gned to aid quick decis­i­on-making wit­hout the need to con­scious­ly ana­ly­ze the situa­ti­on, it can also hold you back, espe­ci­al­ly when mar­kers are based on unpro­duc­ti­ve or dis­tor­ted expe­ri­ence. This can lead to the avo­id­ance of situa­tions and tasks which could other­wi­se help you to self-actua­li­ze and impro­ve your care­er chan­ces [3] [4].

In the second part of this series, we dis­cus­sed step 1 and tech­ni­ques that help you to iden­ti­fy sen­so­ry images. Now, we will explo­re how to actively res­ha­pe the con­tents of your “dra­wers,” enab­ling healt­hi­er and more pro­duc­ti­ve decis­i­on-making.

Step 2: Chan­ging Your “Index Cards” and Soma­tic Mar­kers

To modi­fy sen­so­ry images and soma­tic mar­kers, you need to address per­cep­ti­ons, cogni­ti­on, emo­ti­ons, and phy­sio­lo­gi­cal respon­ses holi­sti­cal­ly. The­re are seve­ral methods which can be appli­ed to chan­ge what you think, what you feel and what you expe­ri­ence on a phy­sio­lo­gi­cal level. The­se tech­ni­ques are drawn from psy­cho­lo­gi­cal the­ra­py and prac­ti­cal approa­ches but are adap­ta­ble to ever­y­day life.

Ref­raming

Ref­raming is also known as cogni­ti­ve res­truc­tu­ring. It is a tech­ni­que roo­ted in cogni­ti­ve the­ra­py. It is attri­bu­ted to psy­cho­the­ra­pists Albert Ellis, Aaron T. Beck and Vir­gi­nia Satir. It invol­ves con­scious­ly thin­king about and then reinter­pre­ting a situa­ti­on. In part 2 you lear­ned in step 1 how to ack­now­ledge your beliefs, thoughts, emo­ti­ons and bodi­ly reac­tions lin­ked to situa­ti­on of importance (we work­ed with the exam­p­le: giving a public speech) and wro­te them down. With the ref­raming tech­ni­que you learn how to focus on posi­ti­ve aspects of a sce­na­rio while regu­la­ting your emo­ti­ons and redu­cing stress [1].

How to use Ref­raming

You can start by crea­ting a table whe­re you record ever­y­thing you’ve dis­co­ver­ed about your thoughts, emo­ti­ons, and phy­sio­lo­gi­cal respon­ses. Aim to express each ele­ment as a clear sen­tence:

Ori­gi­nal thought/ belief, emo­ti­on and reac­tion of your body
Thought“I will embarrass mys­elf by stut­te­ring and slip­ping up!”
Emo­ti­on“I feel the fear!”
Body reac­tion“I have swea­ty hands, and a racing heart­beat!”

Con­scious­ly shift your per­spec­ti­ve. Replace nega­ti­ve inter­pre­ta­ti­ons with posi­ti­ve or neu­tral ones. This pro­cess can alre­a­dy lead to fee­ling reli­ef and a reduc­tion in stress and ten­si­on, wit­hout working on phy­sio­lo­gi­cal sen­sa­ti­ons direct­ly.

Reframed thought/ belief, emo­ti­on and reac­tion of your body
Thought“I am exci­ted to do the speech. The audi­ence will see my stut­ter as enthu­si­asm and posi­ti­ve agi­ta­ti­on!”
Emo­ti­on“I can feel exci­te­ment!”
Body reac­tion“My swea­ty hands and heart­beat show I’m ener­gi­zed.!”

You can trick your brain into inter­pre­ting the situa­ti­on which you fear as a posi­ti­ve exci­te­ment. If you ima­gi­ne yours­elf stan­ding on a diving plat­form, right befo­re the jump, you will have the same phy­sio­lo­gi­cal reac­tions but a dif­fe­rent inter­pre­ta­ti­on. Tell yours­elf “I am exci­ted!” and link your phy­sio­lo­gi­cal acti­va­ti­on to this idea. Your emo­ti­on will shift and at that point you can crea­te a new sen­so­ry image. Remem­ber, ref­raming is like buil­ding a mus­cle, it takes con­sis­tent prac­ti­ce to see results.

Visua­liza­ti­on

By ima­gi­ning a situa­ti­on (giving a speech) and posi­ti­ve out­co­mes (see­ing an exci­ted audi­ence), you can rewri­te your sen­so­ry images and crea­te empowe­ring asso­cia­ti­ons. Visua­liza­ti­on tech­ni­ques can use the brain’s abili­ty to not only ima­gi­ne a situa­ti­on, but also to visua­li­ze it so vivid­ly that they are expe­ri­en­ced as though they are real. But ins­tead of let­ting past expe­ri­en­ces dic­ta­te the script, you will wri­te it yours­elf and direct it. This makes the method a powerful tool for rede­sig­ning your sen­so­ry images, as well as the emo­tio­nal and phy­sio­lo­gi­cal respon­ses. It can enhan­ce moti­va­ti­on and help you to self-impro­ve. This exer­cise will gui­de you step-by-step to visua­li­ze a suc­cessful public spea­king expe­ri­ence, but you can also rewri­te it to fit other situa­tions and spe­ci­fic per­so­nal chal­lenges.

  1. Sit com­for­ta­b­ly in a quiet place whe­re you can relax wit­hout dis­trac­tions. Clo­se your eyes and take three slow, deep breaths, let­ting your body sett­le into a calm and focu­sed sta­te.
  2. Ima­gi­ne yours­elf stan­ding on a stage or in front of an audi­ence. Visua­li­ze the room: the light­ing, the sea­ting arran­ge­ment, and the atten­ti­ve faces of the audi­ence. Noti­ce the details (per­haps a micro­pho­ne, a podi­um, or the fee­ling of the flo­or beneath your feet).
  3. Pic­tu­re the audi­ence smi­ling and nod­ding in agree­ment as you speak. Hear their warm applau­se at the end. Feel the ener­gy of con­nec­tion and appr­oval flowing through the room.
  4. As you deli­ver your speech, ima­gi­ne the pri­de, exci­te­ment, and con­fi­dence you feel. Let the­se emo­ti­ons fill you com­ple­te­ly. Noti­ce how your body responds – per­haps with a slight, ener­gi­zing ting­ling sen­sa­ti­on or a calm, ste­ady heart­beat.
  5. Befo­re you finish, focus on one key posi­ti­ve image or fee­ling from your visua­liza­ti­on, such as the audience’s applau­se or the warmth of your con­fi­dence. Men­tal­ly “book­mark” this image or sen­sa­ti­on so you can recall it when­ever nee­ded.

Open your eyes and take a moment to reflect on the posi­ti­ve ener­gy you’ve crea­ted. Remem­ber, this exer­cise is not just pre­pa­ra­ti­on for public spea­king, it’s a way to train your brain to approach simi­lar chal­lenges with con­fi­dence and calm. Repeat this visua­liza­ti­on regu­lar­ly to streng­then your posi­ti­ve sen­so­ry images and emo­tio­nal asso­cia­ti­ons.

The more you can asso­cia­te your visua­liza­ti­on with per­so­nal mea­ning and indi­vi­du­al cues, the bet­ter it will work [2]. Prac­ti­ce this exer­cise regu­lar­ly to rein­force posi­ti­ve sen­so­ry images and emo­tio­nal respon­ses. This tech­ni­que is not just pre­pa­ra­ti­on for public spea­king but also a way to train your brain to approach simi­lar chal­lenges with calm and con­fi­dence.

Regu­la­ting Your Phy­sio­lo­gi­cal Reac­tions:

The­re are seve­ral methods which most­ly work by down regu­la­ting your bodi­ly acti­va­ti­on. When modi­fy­ing your sen­so­ry images this will aid you in the moment you will actual­ly give your speech. You don’t want your phy­sio­lo­gi­cal reac­tion to be too low. Accor­ding to the Yer­kes-Dod­son law your per­for­mance will reach a peak with increased men­tal and phy­si­cal arou­sal. If acti­va­ti­on gets too high or too low your per­for­mance decrea­ses. The fol­lo­wing exer­ci­s­es can help you by ser­ving pri­ma­ri­ly as stress manage­ment exer­ci­s­es as they will indu­ce a para­sym­pa­the­tic respon­se:

  • Cycled Breathing: Inha­le through your nose and count to four, hold your breath and count to four, and then exha­le through your mouth as long and slow­ly as pos­si­ble.
  • Cold Expo­sure: Give your body a short cold “shock”, eit­her by an ice cube to your temp­les or put your wrists under very cold water. It will calm you down.
  • Pro­gres­si­ve Mus­cle Rela­xa­ti­on: Ten­se a group of mus­cles (e.g. your hands), hold for a few seconds, and then release. Feel the rela­xa­ti­on that fol­lows

Remem­ber to inter­pret a slight­ly rai­sed heart­beat as exci­te­ment. It can ser­ve as a per­for­mance enhan­cer.

Addi­tio­nal Tips:

Learn to “step back” from thoughts and view them as just thoughts rather than facts. For exam­p­le, ins­tead of thin­king “I will give a ter­ri­ble speech”, reframe it as “I’m having the thought that I will be giving a ter­ri­ble speech”. It is a tech­ni­que that is drawn from Accep­tance and Com­mit­ment The­ra­py. It is a method which might be espe­ci­al­ly useful in the begin­ning of your ref­raming expe­ri­ence, whe­re you might have a hard time to reframe com­ple­te­ly. You can app­ly this as a smal­ler step.

If you expe­ri­ence yours­elf as alre­a­dy over­whel­med, pau­se imme­dia­te­ly so that you can pre­vent to add ano­ther lay­er of unhel­pful sen­so­ry images. Prac­ti­ce the fol­lo­wing tech­ni­que and keep it in place when­ever you feel you lose con­trol over the situa­ti­on:

STOP Method:

Stop, Take a Breath, Obser­ve, Proceed: Pau­se when you feel over­whel­med to assess the situa­ti­on calm­ly befo­re respon­ding. This method was deve­lo­ped by Jon Kabat-Zinn in Dialec­ti­cal Beha­vi­or The­ra­py and ser­ves to regu­la­te emo­ti­ons and redu­ce stress. But it can help bey­ond the­ra­peu­tic set­tings.

Brin­ging It All Tog­e­ther

To effec­tively res­ha­pe your sen­so­ry images, inte­gra­te the­se tech­ni­ques. For exam­p­le, cou­ple a reframed thought with a vivid visua­liza­ti­on, indu­ce a posi­ti­ve mood with music, and prac­ti­ce a breathing tech­ni­que. Regu­lar­ly working with the­se methods will streng­then your abili­ty to approach chal­len­ging decis­i­ons with con­fi­dence and calm. Remem­ber, dis­com­fort at the start is natural—growth often requi­res step­ping out­side your com­fort zone. Over time, you’ll noti­ce the­se exer­ci­s­es trans­forming your decis­i­on-making and empowe­ring you to say “yes” to oppor­tu­ni­ties that pre­vious­ly see­med daun­ting.

Refe­ren­ces

[1] Beck, A. T. (1976). Cogni­ti­ve the­ra­py and the emo­tio­nal dis­or­ders. New York: Inter­na­tio­nal Uni­ver­si­ties Press.

[2] Cum­ming, J., & Wil­liams, S.E. (2013). Intro­du­cing the revi­sed appli­ed model of deli­be­ra­te imagery use for sport, dance, exer­cise, and reha­bi­li­ta­ti­on. Move­ment & Sport Sci­en­ces, 82, 69–81. http://dx.doi.org/10.3917/sm.082.0069

[3] Dama­sio, A. R. (1994). Des­car­tes’ Error: Emo­ti­on, Reason, and the Human Brain. New York: Avon Books.

[4] Dama­sio A. R. (1996). The soma­tic mar­ker hypo­the­sis and the pos­si­ble func­tions of the pre­fron­tal cor­tex. Phi­lo­so­phi­cal tran­sac­tions of the Roy­al Socie­ty of Lon­don. Series B, Bio­lo­gi­cal sci­en­ces, 351(1346), 1413–1420. https://doi.org/10.1098/rstb.1996.0125

[5] Mel­low­bag & Freun­des­kreis ft. Gen­tle­man. (1998) – Tabu­la Rasa https://www.youtube.com/watch?v=iIKKvG0_KdM